Top 16 Best Bass Amp Head Under 1000 Dollars

best bass amp head under 1000

Taking a long walk along with the sound that moves atmosphere, the bassline made by the bass whether you think it or not is really a lead sound and is a solo action itself being pulled away from the bassist during a complete song.

So on this note, the bass same with its guitar counterpart is no exemption in having fantastic amplification so for it to deliver critical sounds, and what better way to do this is using a bass amplifier which has the ideal quantity of volume output, tone-shaping capabilities along with other useful features built-in together with the amp.

Coming from a perspective of just using a single bass to manage the most live situations, a bass player has to select between one of two popular options. They could either settle on obtaining a lesser expensive plugin and play with lightweight bass combo amp with at least 500 watts of electricity to channel-in rich beefy tones.

Or to spend just a tiny bit more cash to get exactly what most gigging bass musicians favor, by playing a bass amp headset paired using different size speakers along with some mixture of cabinets.

Now to assist you to select and make a decision on what bass to purchase. We’ve assembled here some of the best bass amplifiers out from the industry nowadays over the thousand dollar funding array. These bass amps on our list are comprised of 2 bass combo amps having sufficient capability to do on stage, and the rest will probably be bass amp heads in varying wattage to choose from and everyone is all set to commence a rig specifying update.

Reviews Top 16 Best Bass Amp Head Under 1000

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Fender Rumble Stage 800

The Fender Rumble Series has been around for Some Time. These amps are loud, clear and punchy, and the Rumble Stage 800 has more than sufficient power for most gigging situations. It’s also quite mild, which makes it easy to transport around.

There are several good bass amps under $1000 from the Fender Rumble Series, for instance, highly effective Rumble 500. On the other hand, Stage 800 brings some seriously upgraded technology into the Twist lineup. It is Bluetooth and Wi-Fi armed, and it features over 15 amp models and 40 effects.

This is a bass amp in accord with Fender’s Mustang guitar amps. If all that technology is too much for you I suggest going with the Rumble 500.

On the flip side, if you prefer the technology, together with the massive 800-watts of electricity, this is perhaps the greatest bass combo amp.

See Also:

  • Power: 800 Watts
  • Speakers: 2×10 Fender Special Design with compression tweeter
  • Channels: One
  • Controls: Gain, Bass, Middle, Treble, Master, Three Layer Buttons, Encoder, Buttons for FX, Save, Menu and Harness
  • Features: More than 15 amp models, and 40 effects
  • Features: Effects Loop, XLR Out x2
  • Dimensions: 23.7 x 19 x 14 (inches)
  • Weight: 39 lbs

Stage 800 is an unbelievable amp some awesome tone-shaping abilities. That makes this amp worthwhile.

Do I enjoy the technician? Sometimes I’m on the fence around each one these bells and whistles. In this case, I think that it adds to them instead of complicates things.

Ampeg BA-210

450 watt RMS of solid-state electricity bass combo amplifier

2×10″ inches custom speaker using a high frequency 1″ inch tweeter

Housed in a screen wedge cabinet with front panel controls

Controls for your amp are mix plus a driveway for its bass scrambler overdrive section, -15dB pad for active basses, master volume, 3-band EQ bass-mid-treble using an ultra-hi and ultra-low frequency, HF dab conquer horn and aux flat knob

Other features are sent/return Fx loop, extension speaker output, devoted XLR balanced line out, headphone out and aux-in

Comes easily with 450 watts RMS of solid-state power and using its built-in 2×10″ inch custom speaker, to also incorporate a top frequency 1″ inch tweeter to help register the desired top-end sound. The Ampeg BA-210 is authentic to its center in supplying a simple yet steady solution to all bassists out there who is searching for a reasonably priced bass combo amp which may create for those serious bass tones straight from the box, also has the sort of sought after quantity capability to cut through the mix when playing a complete ring scenario.

The BA-210 is the flagship version of the recently re-design BA series of bass combo amplifiers from Ampeg. It is housed into a track wedge cabinet front panel controls, so players may set up the knobs and buttons easily, then aiming the split out tones not only just on floor level once the amp is vertical, but also high over the ground inside tilt position.

Controls for your Sky are mix plus a driveway for its bass scrambler overdrive section, -15dB pad for active basses, master volume, 3-band EQ bass-mid-treble using an ultra-hi and ultra-low frequency, HF dab conquer horn to get a more classic tone and aux degree knob to control the volume coming out of a sound source.

Additional useful features on the Sky will be the set of socket consist of send/return to string effects, extension speaker output to power an extra speaker cabinet, dedicated XLR balanced line out to connect the amp a mixing console, headset for silent practice and aux-in for playing together using an iPad or smartphone.

Bergantino Forte

The newest member of this Bergantino household is your Forte. This is the quintessential compact bass, distilling everything that’s great tone-wise concerning the company’s flagship B|Amp into a lower cost point and also a super-tiny enclosure.

Controls with this new unit comprise Input and Master quantity, Variable Ratio Compressor (VRC), a four-band EQ, and Intelligent and Mute switches. There’s an effects loop and a DI out with ground lift, the latter of which is software switchable between pre- and – post-EQ. Rounded out with an aux-in and headset jack for training and you are all set to roll.


  • Wattage: 700 watts
  • I/O options: DI outside, stereo out, headphone jack, and aux in
  • Speaker output resistance: 2 or 4 ohms
  • Effects loop? : Yes
  • On-board compressor? : Yes
  • Dimensions: 10.5 from 8.375 by 3.75 inches
  • Weight: 6 lbs.
  • Country of manufacture: U.S.A

Trace Elliot Elf

Establish cost: $305/250/$273 | Power: 200 watts @ 4 ohms, 130 watts @ 8 ohms | Features: Gain, Level index, Bass, Middle, Treble, Power index, Ground/Lift switch | Connections: 1/4-inch jack input socket, 1/4-inch jack socket, 1/4-inch jack output socket, Balanced XLR DI output | Weight: 730g


  • Small and lightweight
  • Cuts through a ring mix


  • No Aux In socket
  • Features limited by dimensions

The resurrected Trace Elliot has far to live up to, considering that which TE used to stand for in terms of bass amplification. Obviously, the Elf is a really different proposition to the leviathan TE amps of this’80s, but do not let its size fool you.

Tonally, there is a lot to be impressed with. The restricted EQ section does its work nicely, while the LED indicators emphasize when the in-built compression and induce performance have been in operation.

The genuine electricity on offer is quite impressive; looks can be misleading. A nice amp plus a no-brainer. You might even use it as an emergency backup on your gig bag.

Gallien-Krueger MB Fusion

Gallien-Krueger is notorious for making market solutions that almost always hit their mark. Their MB Fusion mind packs a whopping 500 Watts of power, which would not be fascinating if this headset wasn’t just 4 pounds in weight.

But, its mild nature and adequate power output aren’t exactly what makes the MB Fusion so appealing. Gallien-Krueger has packed this thing with three 12AX7 tubes in the preamp stage. This gives you an extremely natural, natural-sounding tone that only tubes can provide.

In addition to this, you’re taking a look at a really versatile controller cluster which allows for an entire selection of tone shaping. It’s reasonable to say MB Fusion is presently among the best heads out there.

Peavey Tour TNT 115

Peavey amps have a special place in my heart, so I will acknowledge it. Still, many bassists have mixed feelings about them. Generally, it is agreed they are hard as nails, and quite loudly, but some players are not pleased with the sound.

Obviously I do not agree. Peavey bass amps have a loud, clear, open sound that I enjoy in a bass amp, and a version such as the TNT 115 makes it easy to dial in the sound you’re interested in using a 7-band EQ, gain control and compressor.

This amp is really a beasty at approximately 75 pounds, and it can be all you need to bring into a gig. However, it has a Speakon jack if you are feeling that the necessity to expand into a speaker, along with a guide out in the event that you would like to send your signal to the house system. Then it is possible to use the tilt-back attribute and use the TNT as a track.

  • Power: 600 Watts Max
  • Speakers: 1 x 15-inch plus high-frequency tweeter
  • Channels: One
  • Controls: Gain, Bright/Contour/Crunch Switches, Low and Higher EQ plus 7-band EQ, Compressor, Master Volume
  • Features: Powered External Speaker output signal with Speakon jack, DI Out, Effects Loop, Headphone jack, kickback design, Tweeter on/off.
  • Dimensions: 26″ x 27.5″ x 23.75″
  • Weight: 75 pounds

I really like Peavey amps. They’re dependable and loudly, and if you’re searching for the sort of amp you’ll be able to answer on gig after a gig they’re an excellent selection.

How Peavey lists the energy score for the amp is somewhat peculiar, calling it max electricity instead of RMS. Do not expect it to have exactly the same electricity a 600-watt bass, however, it is still quite loud.

Hartke LH500

Classic high-voltage 12AX7 Class-A tube preamp circuit also has a solid-state output which packs 500 watts of electricity

Designed with a rugged metal chassis

Pair it with almost any speaker cabinets of selection, or fit it mostly with Hartke’s lineup of HyDrive cabinets

Control panel is comprised of a master volume, Hartke’s bright switch for Additional high-frequency response, limiter switch with LED

Index to modulate peaks and 3-band EQ bass-mid-treble

In the back of the amp would be the consequence loop send/return mouse and speaker outside to link the taxi

First on our list to get a bass amplifier head beneath the thousand dollars funding a bassist will consider gracing the stage is Hartke’s LH500. This bass uses a classic high heeled 12AX7 Class-A tube preamp circuit also has a solid-state output which packs 500 watts of electricity to provide bass players awesome lows to luxury bass sounds.

The amp may be paired with almost any speaker cabinets of selection, or match it mostly with Hartke’s lineup of HyDrive cabinets such as the 1×12″ speaker HyDrive HD112, 2×10″ speaker HD210 and 4×10″ speaker HD410 which are assembled to supply the conventional warm tones of a newspaper cone and in precisely the same time punchy attack of aluminum.

To shape sounds, the LH500 controller panel is comprised only of a master volume, Hartke’s brite switch for the more high-frequency response, limiter switch with LED indicator to control peaks and 3-band EQ bass-mid-treble along with front panel XLR balanced direct output signal. In the rear of the amp would be the result loop send/return mouse and speaker outside to connect the taxi. 4 to 8-ohm impedance and use just appropriate speaker cable.

Darkglass Microtubes 900

Darkglass have already been on a tear of late, releasing a spate of excellent pedals, amps, and cabs and locating a house with lots of bassists where previously there dwelt classic gear. Partly that’s down to this exceptional quality of the equipment, while another part is evident in this unit.

The controller set highlights exactly what sets this apart from the bunch. On the right is the standard control set, together with knobs such as Gain, Master, along with a four-band EQ which includes three-position shifts for the two Mids knobs. There’s also a Mute switch hanging out around. The Gain knob is governed by the VMT/B3K switch, which selects between a contemporary percussive sound (B3K) plus a warmer classic tone (VMT).

On the left side is your Microtubes Engine, that Darkglass calls for an extra station.’ Effectively, this station allows you to dial at a usable mix of compression, push, and EQ that pushes you out before a mix. You may use this section for the thick driveway, light split, and anything in between.

In the event that you should replicate this on a pedalboard, it would be similar to altering amp channels and stepping onto a boost along with a compressor at one time. As a matter of fact, this is controllable using the Intelligent Footswitch out of Darkglass for this express purpose. This section is controlled with Drive, Level, Tone, and Blend knobs. A switch on the front of the amp enables it, but you’ll need the switch. The controller set is rounded out with a switch for Passive or Active pickups.

On the rear panel, you’ll find switches for 2/4 ohms, Post and Pre EQ and Ground Lift to your DI out. In case 900 watts doesn’t get the task finished, you might just be out of luck.


  • Wattage: 900 watts
  • I/O options: DI outside
  • Speaker output resistance: 2 or 4 ohms
  • Effects loop? : Yes
  • On-board compressor? : No (but an Exceptional channel design affects some compression)
  • Dimensions: 11.95 from 14.5 by 4.5 inches
  • Weight: 8.49 lbs.
  • Country of manufacture: Finland

EBS Reidmar 750

Establish cost: $706/579/$632 | Electricity: 700 watts @ 4 ohms | Features: Character Filter switch, Gain, Compression/Limiter, Filter Active switch, Bass, Middle, Mid-Frequency, Treble, Bright, Drive, Master Volume, Pre/Post EQ switch, Ground/Lift switch | Connections: 1/4-inch jack input socket, Speakon output, 1/4-inch jack Send/Return sockets, 1/4-inch jack Headphone socket, 3.5millimeter Aux Additionally, Balanced XLR DI output, 1/4-inch jack lineup socket, 1/4-inch jack Footswitch Remotes/Filt. Rems socket | Weight: 3.7kg

The first Reidmar Glass was EBS’s response to this demand for a lightweight Blackberry option for their HD350/360 and Fafner models.

The Reidmar is presently a heavyweight amongst light-weight solutions and, backed up using EBS’s strength handling and strength of tone, there is a lot to please players of all styles.

Fully-featured with several tone filters, a comprehensive EQ section, and superior compression and push options, there is a lot to enjoy. Slap tones are conveyed with clarity and finesse, rock players will love the fullness of tone and grittier possibilities while the list of connections should satisfy those players that prefer to push their bass to its limits.

Behringer Ultrabass BXD3000H

Behringer’s Ultrabass series of bass amps have always become the safe haven for users. Among their latest additions to this series, the Ultrabass BXD3000H, follows the convention set by its predecessors.

But this time around, we’re taking a look at a fairly strong setup with a great deal of tone-shaping possible. In addition to all that, the entire amp comes in at just 8 lbs. One of the interesting features supplied by this BXD3000H, the 7-band picture EQ has become the most prominent one.

Aside from giving it a somewhat classic vibe, the accession of a graphic EQ allows you to correctly dial at a fairly great tone. In general, BXD3000H is a superb solution for users.

TC Electronic BH550

  • Commanding 550 watts of class-D electricity
  • Housed in a lightweight metal chassis
  • Controls consisting of advantage with peak LED lighting, 4-band EQ bass-low mid-hi mid-treble, master volume, 2 TonePrint knobs to control the Quantity of effect, chromatic tuner and mute switch
  • Back sockets are to get the headset, sound player, footswitch, balanced DI output with pre/post EQ navigation, speaker outside and miniature USB port

Up to the battle and fantastic to assemble, the BH550 is the middle child of the BH series of bass heads created by TC Electronic to shoot bass tones past the next level. At first glance, this bass may appear small and has minimal controls to function.

But do not let this put you apart because hidden under its small bundle is a controlling 550 watts of class-D electricity that translates to lots of headroom, and the minimalist controls are much more of an advantage than a disadvantage in finding your way moving from 1 tone to another.

Assessing each of the 3 models of the BH series. The BH250 being the smallest has the fewest controls to dial-in the sounds and just using a single TonePrint slot to bank effects for free using the TC digital program. Even though for the BH550 as well as the 800-watt version BH800, the controls are extremely much similar consisting of profit with peak LED lighting, 4-band EQ bass-low mid-hi mid-treble and master volume. Additional to the features of this amp would be both TonePrint knobs to control the amount of impact, chromatic tuner, and mute switch.

Transferring at the trunk and finishing the amp will be the sockets to get a headset, audio player, pedal input to join TC digital footswitch, balanced DI output with pre/post EQ navigation, speaker outside and miniature USB port. 4 to 8-ohm impedance and use just appropriate speaker cable.

Mesa Boogie Subway D-800

Definitely a new intimately familiar to guitarists, Mesa makes an amp head that could hang with the best of these. Especially in contrast to this Darkglass previously, this is a rather straightforward endeavor, closer to this Bergantino and with the technology-focused on supplying a wide-open palette to your bass.

Controls are uncluttered and comprise Input quantity, four-band EQ, Master volume, along with an exceptional Voicing switch. The Input quantity is regulated by both the Mute and Active/Passive switch, even though a deep switch engages harmonics to boost low-end response. The Voicing switch is classic Mesa, ranging from Flat to mid-scooped with the low and higher-end boost. Obviously, the rear panel offers the entire suite of switching to command the DI out. No effects loop, nevertheless.


  • Wattage: 800 watts
  • I/O options: DI out, headphone jack, and aux in
  • Speaker output resistance: 2 or 4 ohms
  • Effects loop? : No
  • On-board compressor? : No
  • Dimensions: 11.12 from 10.59 by 3.04 inches
  • Weight: 5.5 lbs.
  • Country of manufacture: U.S.A.

Orange Terror Bass Amp

Establish cost: $714/589/$643 | Power: 500 watts @ 4 ohms, 250 watts @8 ohms | Features: Single station, hybrid Class D power amp valve preamp, clean switch, variable input sensitivity for active or passive basses, natural channel: quantity bass, middle, treble, gain | Connections: 1x 1/4-inch jack input sockets, Speakon output sockets, balanced DI out, FX loop | Weight: 4.65KG

The first Orange Terror Bass amp constructed its fanbase in a time when mobile amp heads with built-in valve distortion were few and far between. This new iteration features more grind and tonal colors.

Based on the AD200 amplifier, this hybrid-design utilizes a 12AX7 valve at the preamp stage and a 12AT7 valve to its Send output of the FX loop. The yield input has a solid-state stage along with also a solid-state Class D output stage.

So, how does this sound? Well, this is a loud amp! Playing a select gives a fantastic stone tone straight off the bat, even while incorporating some distortion courtesy of the 12AX7 in the preamp produces the signature Orange tone. It’s richly colored, with sufficient grind and distortion to heat the sound upward, but not venturing towards a lackluster fizz.

Vox Pathfinder

Vox Pathfinder series pushes the clinic segment of bass amplifiers into a completely different level. Featuring that classic Vox design, this compact combo represents a fairly simple yet competent solution.

The Sky delivers 10 Watts of power through a set of 5-inch Vox Bulldog speakers. Despite their size, these transducers were custom voiced to supply a deep hitting bass tone. Pathfinder has turned out to be an excellent recording platform as well, enabling you to capture some fairly awesome bass tones.

On top of it all, it comes at a cost that’s just too great to ignore. From the standard Vox character, they have also contained a built-in overdrive section which allows you to spice things up whenever necessary.

Quilter Labs Bass Block 800

The 800-watt bass amplifier head

Roadworthy and streamlined housing

Straight forward controls would be the advantage with an LED lighting, thickness knob to the low-end, shape for mid-scoop to high-end sound, and master volume to adjusts the peak electricity starting from 0 moving to a complete 800 watts

Has universal- voltage electricity supply to operate on any voltage from 100-240V to perform it anywhere

For output and input sockets the bass has Speakon speaker outs, headphone out on the front desk, DI lineup, and DI lineup in

Enclosed to a sturdy lightweight aluminum bundle, the Quilter Labs Bass Block 800 puts to the table that a massive 800 watts of electricity which can respond easily and musically into the bass instrument and tones coming straight from their player’s hands. It has universal- voltage electricity supply to operate on any voltage from 100-240V to perform it anywhere. The Bass Block amp only needs to some bass player is to plug it onto a speaker taxi, turn up the volume, then enjoy the effortless creation of bass tones which may rock the house down.

Key features to set-in and Boost the tones would be the advantage with an LED lighting, thickness knob for the non-stick, contour for mid-scoop to luxury sound, and master volume to adjusts the peak electricity starting from 0 moving into a whole 800 watts. For output and input sockets the bass has Speakon speaker outs, headphones out on the front desk, DI lineup, and DI lineup. 4 to 8-ohm impedance and use just appropriate speaker cable

David Eden Terra Nova TN226

This comparatively new offering from Eden also does things just a little bit differently in case nothing else with this list cuts it to you. It’s probably not very fair to predict Eden equipment sleeper stuff, but it isn’t quite as ubiquitous as some of the other brands on the market. This is their brand new mid-level offering, ideal for the musician.

The controller set offers quite a great deal of flexibility. Across the front panel, you’ll find switches for Mute and Comp(ressor), Input Gain, a switchable Enhance knob such as on the Markbass over, a four-band EQ, and a Master horn. This four-band EQ is”semi-permeable” with uniquely flexible shift knobs to the High and Low Mid. Also, there’s an input for Passive and Active pickups. There’s also a Boost switch that is footswitch controllable.

On the back, you will find both speaker outs, an aux-in, headset jack, DI out, effects loop, and a mic out. Obviously, there are switches for pre/post EQ, Ground Lift, and DI online degree. Ironically, 225 watts will only suffice to your own smaller gigs and possibly from the studio, however, you might also receive a 500-watt version inside this line.


  • Wattage: 225 watts
  • I/O options: Separate Active and Passive inputs, DI out, tuner out, aux in, and headphone jack
  • Speaker output resistance: 4 ohms
  • Effects loop? : Yes
  • On-board compressor? : Yes
  • Dimensions: 12.75 from 6.9 by 3.1 inches
  • Weight: 4.7 lbs.
  • Country of manufacture: China

Choosing Between a Bass Head or Combo

What should you go for? Head or mix? The general rule of thumb when it comes to choosing from a mind or a combo is always to go to get an amp head if you’re thinking about gigging regularly. These are inclined to offer you the most power for the cash, as well as the flexibility to choose your favourite cabinet to plug.

An additional bonus is that numerous venues will have a cupboard, meaning that you just have to spend the head combined compare this to lugging around a large bass combo and you’ve got a far better choice for on the street.

But, combo amps have their own advantages and is going to be the prime selection for beginners and intermediate players. Unless you’re regularly doing to a huge crowd, you won’t require the power most large bass heads provide.

Possessing the mind and speaker in 1 box is also amazingly convenient, although combos have a tendency to work a good deal more affordable than heads. In reality, you can purchase a fantastic bass combo for under $300. Plus, you do not have to factor in the cost of purchasing a separate cupboard. So, combos are going to be the smart selection for many bassists.


How Much Power Is Sufficient?

As we have discussed, purchasing a bass amp with the ideal quantity of electricity for your own playing is essential. Too much, and you will not ever turn it up past one when playing in your home. Too small, and your viewers won’t ever hear you.

Normally, bass amps require more electricity than guitar amps. If you’re practicing in your home, approximately 10 to 40 watts will probably be sufficient. But if you’re doing on stage, anything out of 500 watts to 1,000 watts will provide you the quantity you require for playing together with a drum kit and electric guitars.

Just how much electricity you wind up with will finally rely on your exact situation, that you’re playing, and at which you’re playing. Just keep it in mind when making your decision.

Who Needs a Gigantic Bass Amp?

There was a period once I was super impressed with amps with enormous power ratings. If I might have caught a thousand-watt bass I would have, and they are out there. But really, why would anybody want such a monster?

In most live situations the bassist runs a point into your house system. In reality, some bassists do not even bring amps into gigs. They just bring an immediate box along with a preamp. Sounds fantastic, right? So why is it that we want an amp in any way?

You do not, in some situations. However, in others you do, also there is 1 thing large amps have going for them: Headroom.

Consider the headroom as available quantity. More importantly, consider it as far you have to crank up the volume knob to be noticed over the other instruments.

To get a 250-watt bass amp you might want to crank this up almost to 10 to be noticed alongside a loud tube guitar amp. However, a 500-watt bass you can simply turn up a couple of notches.

The further headroom an amp allows the less the speakers and amp are stressed, along with the greater your bass sounds. The headroom equates to a great tone, and that’s why folks love strong bass amps.

Also, it’s quite cool to have the ability to blow off your wise-guy guitarist using the giant half-stack throughout the wall.

The Last Word

The bass amps we’ve emphasized in the graph above should provide you a taste of what’s out there and what’s worth your cash. Of course, you can find far more on the marketplace to choose from, but these provide a fantastic snapshot of what’s popular right now.

So, get out there and see some reviews, see some videos, and try some out. Fantastic luck with your search for the ideal bass amp!


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